By Alan Sculley
For the Call
ZZ Top fans last fall received the chance to enjoy something the group has rarely done in a career that now stretches more than 40 years — a live album.
Titled “Live...
By Alan Sculley
For the Call
Tom Scholz celebrated the 40th anniversary of the blockbuster debut album by his band, Boston, last year.
This year, he’s marked another milestone — his 70th birthday.
But...
By ALAN SCULLEY
For the Call
It’s said absence makes the heart grow fonder.
That seems to have been the case for Metallica.
Despite going eight years between studio albums and not doing a full-fledged...
Byline: The last time Aerosmith toured in 2007 in support the greatest-hits album Devils Got a New Disguise: the Very Best of Aerosmith the band had to forge ahead without bassist Tom Hamilton.
At first glance, its easy to wonder just how much different Seven Angels on a Bicycle, the solo debut CD from Carrie Rodriguez, is from the three duo albums she made with Chip Taylor.
Byline: Members of OAR have been feeling a little Rodney Dangerfield lately thinking too many people dismiss their group as just another jam band, a label that essentially suggests the groups songwriting chops arent nearly as developed as its playing abilities.
Byline: By ALAN SCULLEY
For the Call
With a title Evolver that immediately evokes the name of Revolver, the classic 1966 Beatles album, S.A. Martinez of 311 knows his band is drawing a lofty and potentially touchy comparison.
Byline: By ALAN SCULLEY
For the Call
With its three most recent CDs, 2000s Kid A, 2001s Amnesiac and the recently released Hail to the Thief, Radiohead has done more to reinvent their musical image than any other band or artist in recent memory.
Byline: By ALAN SCULLEY
For the Call
If the characters Eminem has created for himself in his music and film are any indication, not many things scare the Detroit rapper.
But apparently a video for the Weird Al Yankovic song Couch Potato, a parody of the Eminem hit Lose Yourself, left the rapper concerned.
Byline: By ALAN SCULLEY
For the Call
The Deftones 2000 CD, White Pony gave the Sacramento, Calif.-band a commercial breakthrough, producing a hit single in Change (In the House of Flies) and becoming the first million-selling re-lease in the Deftones career.
